Archive for August, 2009

Ellipse

Ok, I’ll be honest.

I stopped following @imogenheap earlier this year as she was recording her latest project, Ellipse. Girl twittered like it was going out of style.  It was too much.

But, being a fan, I downloaded Ellipse this morning. Two listens in, I’m already in love.

So creative. Breathtaking at moments. Lots of energy. Just all around fantastic album.

Go ahead and get it because you will, eventually. It will be all the rage. Just wait.

I mean, just watching this trailer, how could you not want to get it?

An Incomplete Manifesto for Growth

A friend shared this link with me this morning from designer Bruce Mau… all I can say is WOW.

If you are a creative, designer, or anyone who tries to be, this is worth the read.

Written in 1998, the Incomplete Manifesto is an articulation of statements exemplifying Bruce Mau’s beliefs, strategies and motivations. Collectively, they are how (they) approach every project.

  1. Allow events to change you.You have to be willing to grow. Growth is different from something that happens to you. You produce it. You live it. The prerequisites for growth: the openness to experience events and the willingness to be changed by them.
  2. Forget about good.Good is a known quantity. Good is what we all agree on. Growth is not necessarily good. Growth is an exploration of unlit recesses that may or may not yield to our research. As long as you stick to good you’ll never have real growth.
  3. Process is more important than outcome.When the outcome drives the process we will only ever go to where we’ve already been. If process drives outcome we may not know where we’re going, but we will know we want to be there.
  4. Love your experiments (as you would an ugly child).Joy is the engine of growth. Exploit the liberty in casting your work as beautiful experiments, iterations, attempts, trials, and errors. Take the long view and allow yourself the fun of failure every day.
  5. Go deep.The deeper you go the more likely you will discover something of value.
  6. Capture accidents.The wrong answer is the right answer in search of a different question. Collect wrong answers as part of the process. Ask different questions.
  7. Study.A studio is a place of study. Use the necessity of production as an excuse to study. Everyone will benefit.
  8. Drift.Allow yourself to wander aimlessly. Explore adjacencies. Lack judgment. Postpone criticism.
  9. Begin anywhere.John Cage tells us that not knowing where to begin is a common form of paralysis. His advice: begin anywhere.
  10. Everyone is a leader.Growth happens. Whenever it does, allow it to emerge. Learn to follow when it makes sense. Let anyone lead.
  11. Harvest ideas.Edit applications. Ideas need a dynamic, fluid, generous environment to sustain life. Applications, on the other hand, benefit from critical rigor. Produce a high ratio of ideas to applications.
  12. Keep moving.The market and its operations have a tendency to reinforce success. Resist it. Allow failure and migration to be part of your practice.
  13. Slow down.Desynchronize from standard time frames and surprising opportunities may present themselves.
  14. Don’t be cool.Cool is conservative fear dressed in black. Free yourself from limits of this sort.
  15. Ask stupid questions.Growth is fueled by desire and innocence. Assess the answer, not the question. Imagine learning throughout your life at the rate of an infant.
  16. Collaborate.The space between people working together is filled with conflict, friction, strife, exhilaration, delight, and vast creative potential.
  17. ____________________.Intentionally left blank. Allow space for the ideas you haven’t had yet, and for the ideas of others.
  18. Stay up late.Strange things happen when you’ve gone too far, been up too long, worked too hard, and you’re separated from the rest of the world.
  19. Work the metaphor.Every object has the capacity to stand for something other than what is apparent. Work on what it stands for.
  20. Be careful to take risks.Time is genetic. Today is the child of yesterday and the parent of tomorrow. The work you produce today will create your future.
  21. Repeat yourself.If you like it, do it again. If you don’t like it, do it again.
  22. Make your own tools.Hybridize your tools in order to build unique things. Even simple tools that are your own can yield entirely new avenues of exploration. Remember, tools amplify our capacities, so even a small tool can make a big difference.
  23. Stand on someone’s shoulders.You can travel farther carried on the accomplishments of those who came before you. And the view is so much better.
  24. Avoid software.The problem with software is that everyone has it.
  25. Don’t clean your desk.You might find something in the morning that you can’t see tonight.
  26. Don’t enter awards competitions.Just don’t. It’s not good for you.
  27. Read only left-hand pages.Marshall McLuhan did this. By decreasing the amount of information, we leave room for what he called our “noodle.”
  28. Make new words.Expand the lexicon. The new conditions demand a new way of thinking. The thinking demands new forms of expression. The expression generates new conditions.
  29. Think with your mind.Forget technology. Creativity is not device-dependent.
  30. Organization = Liberty.Real innovation in design, or any other field, happens in context. That context is usually some form of cooperatively managed enterprise. Frank Gehry, for instance, is only able to realize Bilbao because his studio can deliver it on budget. The myth of a split between “creatives” and “suits” is what Leonard Cohen calls a ‘charming artifact of the past.’
  31. Don’t borrow money.Once again, Frank Gehry’s advice. By maintaining financial control, we maintain creative control. It’s not exactly rocket science, but it’s surprising how hard it is to maintain this discipline, and how many have failed.
  32. Listen carefully.Every collaborator who enters our orbit brings with him or her a world more strange and complex than any we could ever hope to imagine. By listening to the details and the subtlety of their needs, desires, or ambitions, we fold their world onto our own. Neither party will ever be the same.
  33. Take field trips.The bandwidth of the world is greater than that of your TV set, or the Internet, or even a totally immersive, interactive, dynamically rendered, object-oriented, real-time, computer graphic–simulated environment.
  34. Make mistakes faster.This isn’t my idea — I borrowed it. I think it belongs to Andy Grove.
  35. Imitate.Don’t be shy about it. Try to get as close as you can. You’ll never get all the way, and the separation might be truly remarkable. We have only to look to Richard Hamilton and his version of Marcel Duchamp’s large glass to see how rich, discredited, and underused imitation is as a technique.
  36. Scat.When you forget the words, do what Ella did: make up something else … but not words.
  37. Break it, stretch it, bend it, crush it, crack it, fold it.
  38. Explore the other edge.Great liberty exists when we avoid trying to run with the technological pack. We can’t find the leading edge because it’s trampled underfoot. Try using old-tech equipment made obsolete by an economic cycle but still rich with potential.
  39. Coffee breaks, cab rides, green rooms.Real growth often happens outside of where we intend it to, in the interstitial spaces — what Dr. Seuss calls “the waiting place.” Hans Ulrich Obrist once organized a science and art conference with all of the infrastructure of a conference — the parties, chats, lunches, airport arrivals — but with no actual conference. Apparently it was hugely successful and spawned many ongoing collaborations.
  40. Avoid fields.Jump fences. Disciplinary boundaries and regulatory regimes are attempts to control the wilding of creative life. They are often understandable efforts to order what are manifold, complex, evolutionary processes. Our job is to jump the fences and cross the fields.
  41. Laugh.People visiting the studio often comment on how much we laugh. Since I’ve become aware of this, I use it as a barometer of how comfortably we are expressing ourselves.
  42. Remember.Growth is only possible as a product of history. Without memory, innovation is merely novelty. History gives growth a direction. But a memory is never perfect. Every memory is a degraded or composite image of a previous moment or event. That’s what makes us aware of its quality as a past and not a present. It means that every memory is new, a partial construct different from its source, and, as such, a potential for growth itself.
  43. Power to the people.Play can only happen when people feel they have control over their lives. We can’t be free agents if we’re not free.
    An Incomplete Manifesto for Growth by Bruce Mau is licensed under a
    Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported License.

The Case for Church Communications Part 2: The Call to Communicate

I thought before I got too deep in ideas and thoughts about why church communication matters TODAY that we should put the conversation on pause real quick, take a step back, and get a solid foundation, one rooted in God’s Word… to lead the rest of the conversation forward.

There is no shortage of great ideas or thoughts out there as it relates to church communications. And often, the ideas that are out there are ides that we’ve adapted from business thought leaders, marketing people, etc. I think there’s immense value in doing that, but I think the danger can be that we oftentimes turn our work into more of a career and less of a Holy Calling.  Our spiritual work can quickly turn into a business where Jesus is our CEO, the product we are selling is salvation and we look at people in the community around us as customers. While some of those ides and thoughts could translate, they don’t necessarily sit well with me.

At first glance it can be hard to find “church communicators” in the Bible. I mean, there’s not words like branding, social media, target audience, etc in the Bible… and the closest thing to marketing you can find is the word “marketplace” where Jesus turns the tables over in the Temple. Not the best place to start.

But, I think if you look beyond the surface and look at the context, you can see a lot of the ideas and thoughts we talk about and examples of people who were church communicators in the Bible.

So here goes…

God is a communicator.

I love how in the first few verses of Genesis we get three glimpses into God’s character. We see that He’s timeless, creative and that His voice spoke creation into existence. And, He spoke directly to those He created.

All throughout the Bible we see God speaking to His people. Sometimes it was audibly (like to Abraham in Gen ); other times it was through signs, like a burning bush. Other times, He raised up people to speak for Him, like the prophets in the Old Testmment. Jesus spoke His message and His word is still speaking to us today.

Our Calling

Jesus’ final words to His disciples were of instruction, to pray and wait for the Holy Spirit to come and empower them to be His witnesses about Him to the ends of the earth.

I think we need to switch our thinking. It’s not about communicating “our message” it’s about communicating His message.

We’re not just graphic designers, web programmers, video editors, tech geeks or artists, I believe our calling is ultimately to be prophets… to tell God’s Story, to be His witnesses.

Prophets?

Dicitionary.com has a cool definition of the word prophet…

  1. A person who speaks by divine inspiration or as the interpreter through whom the will of a god is expressed.
  2. A person gifted with profound moral insight and exceptional powers of expression.
  3. A predictor; a soothsayer.
  4. The chief spokesperson of a movement or cause.

Of course, the Bible gives us some different examples of prophets, and honestly, I believe our call as church communicators is ultimately a call to be prophets… to hear God’s voice, see ahead, and know how to create messages to compel the people God has called us to reach.

Sounds a lot different than just making bulletins, designing fliers, and sending out email newsletters to me.

We’ve really got to begin to see the work we do as a spiritual one, and our role, although it might have us doing bulletins and newsletters, as a place where we need to be dependant on God’s voice and His Spirit’s leading.

Too often I think our gifts and talents can stand in the way of us living out our calling. Too often we look to them for inspiration and depend on them too much instead of looking to the One who gave them to us.

We need to get into the discipline of seeking God first. I think too often (I am so guilty of this), I reach for my iPhone to see what’s going on in Twitterland or on my emails before I spend time on my knees in prayer and in God’s Word.

God is the author of creativity and I know that a lot of the “roadblocks” I get when thinking through an idea or creating something is usually there because I haven’t spent enough time with Him. I think if you are in tune with God, His voice and His word, you can really begin to see Him empower you with creative thoughts, ideas, and insight.

We’ve got to surrender our gifts and talents to Him in pursuit of our calling and ask Him to empower us with His Spirit to be the witnesses, and the prophets we need to be to our communities and cities and ultimately to the world.

A Parable Explains it All

Prophets are really like messengers. God speaks and they relay the message.

There’s a parable that I think explains our calling so clearly. It picks up in Luke 14 where Jesus tells the story of a man who prepared a great feast and wanted people to come and take a part of it.

A man prepared a great feast and sent out many invitations. When the banquet was ready, he sent his servant to tell the guests, ‘Come, the banquet is ready.’ But they all began making excuses… The servant returned and told his master what they had said. His master was furious and said, ‘Go quickly into the streets and alleys of the town and invite the poor, the crippled, the blind, and the lame.’ After the servant had done this, he reported, ‘There is still room for more.’ So his master said, ‘Go out into the country lanes and behind the hedges and urge anyone you find to come, so that the house will be full.

God has prepared a great feast… we’ve been called and commissioned to go out and tell people about it… that His house might be full.

You can look at this as a picture of Heaven or also think of the house as the “Church” here on earth.

Modern-Day Prophets

What we do is about creating things to communicate and to compel people to come inside, and to take a part of the great feast God has prepared for them.

In the parable of the great feast all they had to work with was a personal invite, word-of-mouth, a viral campaign if you will… we have a lot more at our disposal today and many new ways to be  modern-day prophets… be it through the art we create, sounds and melodies, images that move or cause people to be moved, words, expression, or anything else, we are communicating God’s Story and inviting other people to find their place in it.

He promised us His Holy Spirit to lead and guide us and to empower us. So don’t get too dependant on your talent or giftings, remember it won’t be done in your strength, but in your surrender.

You need to be tuned into God’s voice and in tune with the world around you to know how to communicate the message God is speaking to you in a language that people can understand.

More on that next time…

Julie & Julia

My sister drug me to see Julie & Julia with her a couple of days ago. Yeah, I know.

But for real… it was a great movie. And you can quote me on that.

I remember watching Julia Child on PBS as a kid growing up, don’t ask me why. And, I also remember the infamous Saturday Night Live skits.

She’s an icon.

But, I guess I never thought about how she got her start and became so good at French cooking. Sometimes we don’t think about that kind of stuff… people’s backstories. Oftentimes we just see the success and not the journey and obstacles people had to face that got them there, which is in most cases more significant.

So, the movie is partly her story and the story of Julie Powell, a girl who was living in NYC in 2002 who decided to blog her way through all of Julia Child’s recipes in the span of a year and blogged the entire journey as a creative outlet.

The movie parallels both of their stories…  two women who were essentially bored who found a passion for cooking that was life-giving to them. They found life in their creativity. Their passion gave them joy when life around them was boring and at times incredibly difficult.

Being the geek that I am, one of the parts that I found most fascinating about the movie, other than learning the story of Julia Child’s rise to fame, was to see how much blogging has developed and shaped our culture in recent years.

In 2002, it was still a rather novel thing and it’s interesting to see and hear about Julie’s journey of understanding the blogging world.

But back to the movie… the thing that stuck out the most to me was the importance of finding something you are passionate about and pursuing it. There will definitely be some letdowns along the way, but if you go for it and count the cost, you can do some really significant things as you pursue your passions.

I heard someone once say whatever you are passionate about is often key to your calling.

Julie and Julia were passionate about cooking (and eating!)…  one changed the way people cooked and the other changed her life and got a great book (and movie) out of it.

So anyway, if you want to be inspired you should see it. I think there were some really redeeming lessons to learn about life, passion, and even marriage in this story.

And, I think Meryl Streep deserves an Oscar for her performance in this movie. She was brilliant.

What are you passionate about? What are you willing to overcome obstacles for?

Find out what “it” is and go for it.